// archives

CFPs

This category contains 50 posts

CFP: “Creative Conflict,” BU History of Art and Architecture Symposium

The 31st Annual Boston University Graduate Symposium on the History of Art & Architecture Submissions Due:          December 10, 2014 (EXTENDED from November 22!) Symposium Dates:         February 27 – 28, 2015 Creative Conflict Conflict generates and transforms many works of art and architecture, both inspiring their creation and […]

Wendy Bellion @ SAAM

On September 18 in Washington DC, Wendy Bellion gives the Charles C. Eldredge Prize Lecture, “‘Here Trust Your Eyes’: Visual Illusion and the Early American Theater” at the Smithsonian American Art Museum. SAAM is also now accepting nominations for the 2015 Eldredge Prize, due December 1.

CFP: InVisible Culture Issue 23: Blueprints

CFP: InVisible Culture: An Electronic Journal for Visual Culture invites scholarly articles and creative works that consider the multiple valences of the topic: blueprints. Submissions due October 15, 2014.

CFP: “Beyond Connoisseurship”

CFP: “Beyond Connoisseurship: Rethinking Prints from the Belle Épreuve (1875) to the Present,” at The Graduate Center, CUNY, November 7, 2014. Submissions due August 1, 2014.

CFP: Transhistories of the Visual

CFP: “Between, Among, and Across: Transhistories of the Visual,” at Elon University, February 27-28, 2015. Submissions due July 11, 2014.

CFP: “Opacity”

CFP: For articles and creative works concerning “Opacity,” for the 22nd issue of InVisible Culture: An Electronic Journal for Visual Culture. Reviews also sought. Submissions due: May 1, 2014

CFP: “Postwar” at Haus der Kunst

CFP: “Postwar — Art between the Pacific and the Atlantic, 1945-1965,” a symposium at Haus Der Kunst, Munich, May 22-24, 2014. Submissions due: December 15, 2013

CFP: Theorizing Fieldwork

CFP: “Theorizing Fieldwork in the Humanities,” a colloquium at University of Pittsburgh, March 28-29, 2014. Submissions due: December 1, 2013.

CFP: “The Copy”

CFP: “The Copy,” a Graduate Student Research Symposium at University of Oregon, April 17-18, 2014. Submissions due: December 20, 2013.

CFP: Recombinant Creativity @ OCAD University

CFP: “Recombinant Creativity,” a conference at OCAD University. Submissions due: December 2.

JOB: School of Art and Design, Texas State University

JOB: “The School of Art and Design at Texas State University invites applications for a tenure-track appointment in Art History. The selected candidate will be expected to be a productive scholar and an effective teacher of contemporary art and visual culture, with the ability to also teach courses from a global perspective related to gender […]

CFP: Reception of German Art @ AAH

CFP: “The Reception of German Art, Art Theory, and Philosophy by the Americas in the 20th Century,” a panel at the AAH Annual Conference, London, April 12-14, 2014. Submissions due: November 11, 2013

CFP: Terra Foundation International Essay Prize

CFP: The Terra Foundation for American Art International Essay Prize, for scholarship by a non-U.S. scholar in the field of historical (pre-1980) American art. Submissions due: January 15, 2014

Final Push: Visual Activism symposium CFP – Deadline October 1

FINAL PUSH. CFP: “Visual Activism” symposium in San Francisco, March 14-16, 2014. Submission deadline: October 1

CFP: KAPSULA Magazine

CFP: “Bad History,” an issue of KAPSULA Magazine. Submissions due: December 6, 2013

CFP: “See the Light”

CFP: “See the Light,”  a Boston University Graduate Student Symposium, Feb 28-Mar 1, 2014. Submissions due: November 23, 2013.

CFP: “Visual Activism” @ SFMOMA

CFP: “Visual Activism” at SFMOMA, March 14-16, 2014. Submission deadline: October 1, 2013

CFP: “Keith Haring: Languages”

CFP: “Keith Haring: Languages,” the Fales Library at NYU. Proposals sought for papers that offer new approaches to Keith Haring’s work. Submission deadline: September 1, 2013.  

CFP for CAA Panel: Abstraction and Anthropomorphism in Postwar and Contemporary Sculpture

CFP for “Abstraction and Anthropomorphism in Postwar and Contemporary Sculpture,” a session at CAA in Chicago, February 2014, chaired by Lisa Lee (University of Chicago) and Kate Nesin (Art Institute of Chicago). Due May 6.

CFP for SECAC Panel: The Remains of Photography

CFP for “The Remains of Photography,” a panel at SECAC 2013. Deadline: April 20, 2013.

NYU IFA Summer Institute in Technical Art History

Reminder: Applications for the NYU IFA Summer Institute in Technical Art History (June 10-21, 2013), “Theoretical Subjectivities and the Critical eye,” are due March 25.

CFP: TOO SOON: The Contemporary as Method, OCAD University

CFP for OCAD University Graduate Conference “TOO SOON: The Contemporary As Method.” March 14-15, 2013, in Toronto, ON.  Submissions  due by 5:00 pm on Friday, November 30th.      

CFP: Que la bête meure! l’animal et l’art contemporain

A call for papers: Que la bête meure! l’animal et l’art contemporain. Université Paris 1 Panthéon Sorbonne – INHA, June 11 – 12, 2012 Deadline Jan 31, 2012.

Burlington Contemporary Writing Prize 2012

The Burlington Contemporary Writing Prize, to be awarded annually, seeks to discover talented young writers on contemporary art, with the winner receiving £1000 and the opportunity to publish a review of a contemporary art exhibition in The Burlington Magazine. Deadline January 31st.

CFP: The reception of Pop Art in Belgium

From Carl Jacobs to H-Arthist, a CFP: The reception of Pop Art in Belgium.

The Burlington Contemporary Writing Prize 2012

Announced in The Burlington Magazine: The Burlington Contemporary Writing Prize, to be awarded annually, seeks to discover talented young writers on contemporary art. The Prize winner will receive £1000, and will have the opportunity to publish a review of a contemporary art exhibition in The Burlington Magazine.

CFP: Media Acts

A call for papers for the 10th International Conference of the Nordic Society for Intermedial Studies (NorSIS), on 26-28 October 2011 in Trondheim: Media Acts. Keynote speakers include Jacques Rancière and James Elkins.

CFP: European Art and Philosophy since 1945

Posted at H-German, a call for papers on European Art and Philosophy since 1945.

CFP: BEND! Photography, Gender, & the Politics of Representation

CFP for an interdisciplinary graduate symposium at Princeton University: “BEND! Photography, Gender, & the Politics of Representation” (deadline March 1st). The keynote address is by George Baker.

CFP: Contemporary Art and the French Riviera

On H-ArtHist: a call for papers on contemporary art and the French Riviera, deadline March 31st.

Continental breakfast network: First Trieste Contemporanea Seminar on Art History

A call for papers from the First Trieste Contemporanea Seminar on Art History.

CFP: Rethinking the Documentary: The Doc-Fiction Hybrid

A CFP for Visible Evidence 18.

CFP: Holland-America

A graduate symposium in Enschede (Netherlands), on “the artistic relationship and dialogue between Europe and the United States in 1950s and 1960s.”

CFP: Encuentros: Artistic Exchange between the U.S. and Latin America

A conference on the Americas at the Smithsonian American Art Museum.

CFP: Journal of Curatorial Studies

A new journal from Intellect (UK), edited by Jim Drobnick and Jennifer Fisher.

CFP: Post-Socialist Prospects and Contemporary Communisms in Art History

“This session considers the challenges that post-socialist art histories can present for contemporary “global” theory.”

CFP: Contemporary Art and its Audiences: New Interactive Practices

A call for papers on contemporary art and its audiences […]

CFP: New Perspectives on Abstract Expressionism: A Young Scholars’ Panel

A Young Scholars’ Panel at the Museum of Modern Art […]

CFP: Modern and Contemporary Art and the Curiosity Cabinet

“[T]he Wunderkammer or curiosity cabinet and the way it has informed 20th-
and 21st-century art” […]

CFP: Why Have There Been No Great Modern Religious Artists?

A call for papers on Christian strains in 20th century and current artistic practice […]

CFP: Bergson and his postmodern and immanent legacies

A conference “to stimulate
reflection upon this shift in philosophy towards the Bergsonian paradigm
of immanence and to encourage responses to it from art historians.”

CFP: Collaborating Now

A call for papers on contemporary collaborative practices […]

CFP: Modern Arab Art: Objects, Histories, and Methodologies

A CFP on modern Arab art […]

CFP: Palinsesti

A new peer-reviewed publication dedicated to historical studies concerning Italian Art since 1960 […]

CFP: Art Journal on contemporary African Art

A call for contributions to the bilingual art journal: Savvy – Art. Contemporary. African.

CFP: Utopia Today?

A call for papers on “Utopia Today?” — a conference at the Saline Royale, Arc-et-Senans.

CFP: French Theory: réception dans les arts visuels aux États-Unis

A call for papers on “French Theory: reception in the visual arts in the United States between 1965 and 1995.”

CFP: Who Cares Who Sees?

A call for papers for the session, “Who Cares Who Sees? The Problem of Audience in Contemporary Art”…

CFP: Permanent Transition (UC San Diego)

From Joshua Shannon to CAH-Clients: Call for Papers Permanent Transition University of California, San Diego April 10, 2010 “Art,” as an idea, a product, and a condition, is increasingly defined through properties of oscillation – movement, fluidity, transition, and circulation. The art world, particularly during the last few decades, had generated new and proximate forms […]

CFP: High and Low

From John Tain to CAH-Clients: High and Low Second bi-annual conference of the European Network for Avant-Garde and Modernism Studies (EAM) 9-11 September 2010, Adam Mickiewicz University, Poznań, Poland Call for Participation Due November 30, 2009