CFP for “Abstraction and Anthropomorphism in Postwar and Contemporary Sculpture,” a session at CAA in Chicago, February 2014, chaired by Lisa Lee (University of Chicago) and Kate Nesin (Art Institute of Chicago). Due May 6.
CFP for “The Remains of Photography,” a panel at SECAC 2013. Deadline: April 20, 2013.
Reminder: Applications for the NYU IFA Summer Institute in Technical Art History (June 10-21, 2013), “Theoretical Subjectivities and the Critical eye,” are due March 25.
CFP for OCAD University Graduate Conference “TOO SOON: The Contemporary As Method.” March 14-15, 2013, in Toronto, ON. Submissions due by 5:00 pm on Friday, November 30th.
A call for papers: Que la bête meure! l’animal et l’art contemporain. Université Paris 1 Panthéon Sorbonne – INHA, June 11 - 12, 2012 Deadline Jan 31, 2012.
The Burlington Contemporary Writing Prize, to be awarded annually, seeks to discover talented young writers on contemporary art, with the winner receiving £1000 and the opportunity to publish a review of a contemporary art exhibition in The Burlington Magazine. Deadline January 31st.
From Carl Jacobs to H-Arthist, a CFP: The reception of Pop Art in Belgium.
Announced in The Burlington Magazine: The Burlington Contemporary Writing Prize, to be awarded annually, seeks to discover talented young writers on contemporary art. The Prize winner will receive £1000, and will have the opportunity to publish a review of a contemporary art exhibition in The Burlington Magazine.
A call for papers for the 10th International Conference of the Nordic Society for Intermedial Studies (NorSIS), on 26-28 October 2011 in Trondheim: Media Acts. Keynote speakers include Jacques Rancière and James Elkins.
Posted at H-German, a call for papers on European Art and Philosophy since 1945.
CFP for an interdisciplinary graduate symposium at Princeton University: “BEND! Photography, Gender, & the Politics of Representation” (deadline March 1st). The keynote address is by George Baker.
On H-ArtHist: a call for papers on contemporary art and the French Riviera, deadline March 31st.
A call for papers from the First Trieste Contemporanea Seminar on Art History.
A CFP for Visible Evidence 18.
A graduate symposium in Enschede (Netherlands), on “the artistic relationship and dialogue between Europe and the United States in 1950s and 1960s.”
A conference on the Americas at the Smithsonian American Art Museum.
A new journal from Intellect (UK), edited by Jim Drobnick and Jennifer Fisher.
“This session considers the challenges that post-socialist art histories can present for contemporary “global” theory.”
A call for papers on contemporary art and its audiences [...]
A Young Scholars’ Panel at the Museum of Modern Art [...]
“[T]he Wunderkammer or curiosity cabinet and the way it has informed 20th-
and 21st-century art” [...]
A call for papers on Christian strains in 20th century and current artistic practice [...]
A conference “to stimulate
reflection upon this shift in philosophy towards the Bergsonian paradigm
of immanence and to encourage responses to it from art historians.”
A call for papers on contemporary collaborative practices [...]
A CFP on modern Arab art [...]
A new peer-reviewed publication dedicated to historical studies concerning Italian Art since 1960 [...]
A call for contributions to the bilingual art journal: Savvy – Art. Contemporary. African.
A call for papers on “Utopia Today?” — a conference at the Saline Royale, Arc-et-Senans.
A call for papers on “French Theory: reception in the visual arts in the United States between 1965 and 1995.”
A call for papers for the session, “Who Cares Who Sees? The Problem of Audience in Contemporary Art”…
From Joshua Shannon to CAH-Clients: Call for Papers Permanent Transition University of California, San Diego April 10, 2010 “Art,” as an idea, a product, and a condition, is increasingly defined through properties of oscillation – movement, fluidity, transition, and circulation. The art world, particularly during the last few decades, had generated new and proximate forms [...]
From John Tain to CAH-Clients: High and Low Second bi-annual conference of the European Network for Avant-Garde and Modernism Studies (EAM) 9-11 September 2010, Adam Mickiewicz University, Poznań, Poland Call for Participation Due November 30, 2009