The 31st Annual Boston University Graduate Symposium on the History of Art & Architecture Submissions Due: December 10, 2014 (EXTENDED from November 22!) Symposium Dates: February 27 – 28, 2015 Creative Conflict Conflict generates and transforms many works of art and architecture, both inspiring their creation and […]
On September 18 in Washington DC, Wendy Bellion gives the Charles C. Eldredge Prize Lecture, “‘Here Trust Your Eyes’: Visual Illusion and the Early American Theater” at the Smithsonian American Art Museum. SAAM is also now accepting nominations for the 2015 Eldredge Prize, due December 1.
CFP: InVisible Culture: An Electronic Journal for Visual Culture invites scholarly articles and creative works that consider the multiple valences of the topic: blueprints. Submissions due October 15, 2014.
CFP: “Beyond Connoisseurship: Rethinking Prints from the Belle Épreuve (1875) to the Present,” at The Graduate Center, CUNY, November 7, 2014. Submissions due August 1, 2014.
CFP: “Between, Among, and Across: Transhistories of the Visual,” at Elon University, February 27-28, 2015. Submissions due July 11, 2014.
CFP: For articles and creative works concerning “Opacity,” for the 22nd issue of InVisible Culture: An Electronic Journal for Visual Culture. Reviews also sought. Submissions due: May 1, 2014
CFP: “Postwar — Art between the Pacific and the Atlantic, 1945-1965,” a symposium at Haus Der Kunst, Munich, May 22-24, 2014. Submissions due: December 15, 2013
CFP: “Theorizing Fieldwork in the Humanities,” a colloquium at University of Pittsburgh, March 28-29, 2014. Submissions due: December 1, 2013.
CFP: “The Copy,” a Graduate Student Research Symposium at University of Oregon, April 17-18, 2014. Submissions due: December 20, 2013.
CFP: “Recombinant Creativity,” a conference at OCAD University. Submissions due: December 2.
JOB: “The School of Art and Design at Texas State University invites applications for a tenure-track appointment in Art History. The selected candidate will be expected to be a productive scholar and an effective teacher of contemporary art and visual culture, with the ability to also teach courses from a global perspective related to gender […]
CFP: “The Reception of German Art, Art Theory, and Philosophy by the Americas in the 20th Century,” a panel at the AAH Annual Conference, London, April 12-14, 2014. Submissions due: November 11, 2013
CFP: The Terra Foundation for American Art International Essay Prize, for scholarship by a non-U.S. scholar in the field of historical (pre-1980) American art. Submissions due: January 15, 2014
FINAL PUSH. CFP: “Visual Activism” symposium in San Francisco, March 14-16, 2014. Submission deadline: October 1
CFP: “Bad History,” an issue of KAPSULA Magazine. Submissions due: December 6, 2013
CFP: “See the Light,” a Boston University Graduate Student Symposium, Feb 28-Mar 1, 2014. Submissions due: November 23, 2013.
CFP: “Visual Activism” at SFMOMA, March 14-16, 2014. Submission deadline: October 1, 2013
CFP: “Keith Haring: Languages,” the Fales Library at NYU. Proposals sought for papers that offer new approaches to Keith Haring’s work. Submission deadline: September 1, 2013.
CFP for “Abstraction and Anthropomorphism in Postwar and Contemporary Sculpture,” a session at CAA in Chicago, February 2014, chaired by Lisa Lee (University of Chicago) and Kate Nesin (Art Institute of Chicago). Due May 6.
CFP for “The Remains of Photography,” a panel at SECAC 2013. Deadline: April 20, 2013.
Reminder: Applications for the NYU IFA Summer Institute in Technical Art History (June 10-21, 2013), “Theoretical Subjectivities and the Critical eye,” are due March 25.
CFP for OCAD University Graduate Conference “TOO SOON: The Contemporary As Method.” March 14-15, 2013, in Toronto, ON. Submissions due by 5:00 pm on Friday, November 30th.
A call for papers: Que la bête meure! l’animal et l’art contemporain. Université Paris 1 Panthéon Sorbonne – INHA, June 11 – 12, 2012 Deadline Jan 31, 2012.
The Burlington Contemporary Writing Prize, to be awarded annually, seeks to discover talented young writers on contemporary art, with the winner receiving £1000 and the opportunity to publish a review of a contemporary art exhibition in The Burlington Magazine. Deadline January 31st.
From Carl Jacobs to H-Arthist, a CFP: The reception of Pop Art in Belgium.
Announced in The Burlington Magazine: The Burlington Contemporary Writing Prize, to be awarded annually, seeks to discover talented young writers on contemporary art. The Prize winner will receive £1000, and will have the opportunity to publish a review of a contemporary art exhibition in The Burlington Magazine.
A call for papers for the 10th International Conference of the Nordic Society for Intermedial Studies (NorSIS), on 26-28 October 2011 in Trondheim: Media Acts. Keynote speakers include Jacques Rancière and James Elkins.
Posted at H-German, a call for papers on European Art and Philosophy since 1945.
CFP for an interdisciplinary graduate symposium at Princeton University: “BEND! Photography, Gender, & the Politics of Representation” (deadline March 1st). The keynote address is by George Baker.
On H-ArtHist: a call for papers on contemporary art and the French Riviera, deadline March 31st.
A call for papers from the First Trieste Contemporanea Seminar on Art History.
A CFP for Visible Evidence 18.
A graduate symposium in Enschede (Netherlands), on “the artistic relationship and dialogue between Europe and the United States in 1950s and 1960s.”
A conference on the Americas at the Smithsonian American Art Museum.
A new journal from Intellect (UK), edited by Jim Drobnick and Jennifer Fisher.
“This session considers the challenges that post-socialist art histories can present for contemporary “global” theory.”
A call for papers on contemporary art and its audiences […]
A Young Scholars’ Panel at the Museum of Modern Art […]
“[T]he Wunderkammer or curiosity cabinet and the way it has informed 20th-
and 21st-century art” […]
A call for papers on Christian strains in 20th century and current artistic practice […]
A conference “to stimulate
reflection upon this shift in philosophy towards the Bergsonian paradigm
of immanence and to encourage responses to it from art historians.”
A call for papers on contemporary collaborative practices […]
A CFP on modern Arab art […]
A new peer-reviewed publication dedicated to historical studies concerning Italian Art since 1960 […]
A call for contributions to the bilingual art journal: Savvy – Art. Contemporary. African.
A call for papers on “Utopia Today?” — a conference at the Saline Royale, Arc-et-Senans.
A call for papers on “French Theory: reception in the visual arts in the United States between 1965 and 1995.”
A call for papers for the session, “Who Cares Who Sees? The Problem of Audience in Contemporary Art”…
From Joshua Shannon to CAH-Clients: Call for Papers Permanent Transition University of California, San Diego April 10, 2010 “Art,” as an idea, a product, and a condition, is increasingly defined through properties of oscillation – movement, fluidity, transition, and circulation. The art world, particularly during the last few decades, had generated new and proximate forms […]
From John Tain to CAH-Clients: High and Low Second bi-annual conference of the European Network for Avant-Garde and Modernism Studies (EAM) 9-11 September 2010, Adam Mickiewicz University, Poznań, Poland Call for Participation Due November 30, 2009