Update January 2011: Dorothy Spears on Lozano’s work at the Brooklyn Museum and Hauser & Wirth (New York Times).

This spring at Stockholm’s Moderna Museet: Lee Lozano, organized by Iris Müller-Westermann with Jo Widoff.

The catalog, published by Hatje Cantz, is edited by Müller-Westermann and also includes texts by Jo Applin, Lucy R. Lippard, and Benjamin Meyer-Krahmer.

Among the substantial bibliography of the past decade, see also:

• the artist’s page at Hauser & Wirth
• James Kalm, “Brooklyn Dispatches: Resurrection of a Bad-Ass Girl,” Brooklyn Rail, Part I (November 2008); Part II (March 2009)
• Lee Lozano: Notebooks 1967-1970 (Primary Information, 2009) DAP, Worldcat
• Katy Siegel, “Market Index: Lee Lozano,” Artforum (April 2008)
• Solitaire: Lee Lozano, Sylvia Plimack Mangold, Joan Semmel (Wexner/Yale, 2008) Worldcat
• Lee Lozano: WIN FIRST DON’T LAST WIN LAST DON’T CARE (Eindhoven and Basel, 2006) Worldcat; reviews by Helen Molesworth, Artforum, and Hans-Jürgen Hafner, Kunstforum
• Lee Lozano: Seek the Extremes! (Kunsthalle Wien, 2006) DAP, Worldcat
• Lee Lozano: Drawings (Yale, 2006) Worldcat
• Bruce Hainley, “On ‘E,’” Frieze 102 (October 2006)
• Lee Lozano: Drawn From Life, 1961-1971 (P.S. 1, 2004), reviewed by Nick Stillman, Brooklyn Rail, Jan Avgikos, Artforum, John Perreault, Artopia, Donald Goddard, New York Art World, Joe Fyfe, Artcritical
• Helen Molesworth, “Tune In, Turn On, Drop Out: The Rejection of Lee Lozano,” Art Journal 61:4 (Winter 2002)
• “Making Waves: David Reed on the Legacy of Lee Lozano,” interview with Katy Siegel, Artforum (October 2001)
• Robert Wilonsky, “The Dropout Piece,” Dallas Observer (12/9/99)
• Lee Lozano: MATRIX 135 (Wadsworth Atheneum, 1998) PDF, Worldcat