From July through November, “Big Buildings: Models and Views,” by Thomas Schütte, is on view in Bonn. In February, Prestel published Thomas Schütte: Hindsight (Randomhouse.de; Amazon), edited by Lynne Cooke with writing by Penelope Curtis and Christine Mehring, catalog to a retrospective at the Reina Sofia in Madrid. In summer 2009, the Haus der Kunst, Munich, mounted a show reviewed in Frieze by Quinn Latimer.
In 2007-2008, “Fake/Function,” a show of early work, was on view at the Henry Moore Institute in Leeds and the Kunstmuseum Liechtenstein (Vaduz). A 2001 exhibition at the Sammlung Goetz, Munich, produced a catalog including essays by Jan Avgikos, Robert Fleck, Cay Sophie Rabinowitz, and Rainald Schumacher (artbook.com).
From 1998 to 2000, the Dia Center exhibited a three-part series of Schütte’s work: Scenewright, Gloria in Memoria, and In Medias Res. The catalog (Worldcat) included text from Cooke, Michael Govan, Getrud Sandqvist and Susan Stewart. Also n 1998, Phaidon published an entry in the “Contemporary Artists” series with contributions from Julian Heynen, James Lingwood, Angela Vettese and Seneca. See also the artist’s website, and pages at Marian Goodman and Frith Street.